Stacked cutters
41 3D-printable filesTen matching cutters build the stacked face.
- Four sizes, plus a combined-eye shortcut for the 70 mm face.



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3D print the tools. Make it in clay.
3D print the cutters, then cut and stack polymer clay into a chunky Boston Terrier face: wall art on its own printed hanger, a fridge magnet, or a pair of matching 40 mm drop earrings.
Digital download: STL files to 3D print, plus a PDF guide. Requires a 3D printer or 3D printing service.


57 3D-printable STL files, an illustrated maker guide and the Maker Licence.
Ten matching cutters build the stacked face.











The outline and full face in one slab.

Wall-display tools and matching 40 mm drop-earring cutters.














Sizes name the face height, from ear tip to chin. Dimensions are the clay face's width and height at 100% print scale, not the cutter's outside dimensions; the face is widest across the eyes.
20 mm at the outlines' scale. Not an actual-size template.
The stacked cutters come in all four sizes; the relief cutter comes in 120 and 150 mm. The 120 and 150 mm faces hang as wall art on the printed hanger, and their wall art cutters press earring-hole dots. These faces are too heavy for jewellery. The matching 40 mm drops (about 27 x 40 mm) come in the wall art set.
| Outline to scale | Size | Clay outline (W x H) | Methods | Use it for |
|---|---|---|---|---|
| 50 mm | 38 x 50 mm |
| Fridge magnet (about 11 g of clay) | |
| 70 mm | 53 x 70 mm |
| Fridge magnet on two magnets (about 22 g); the combined eye shortcut is this size only | |
| 120 mm | 92 x 120 mm |
| Wall art on its printed hanger (about 64 g stacked or 46 g relief) | |
| 150 mm | 115 x 150 mm |
| Wall art on its printed hanger (about 100 g stacked or 72 g relief) |
Making methods
Cut the orchid pink head first while it is flat, then stack the cream muzzle, acid yellow inner ears, the eyes, the nose and a three-layer mouth on it by hand. Cut each eye cutter twice and flip one piece so the pair mirrors. The 120 and 150 mm faces hang on the wall from a printed hanger glued to the back. Smooth the wall art cutter's two dots for wall art only, or drill them after baking to hang a pair of the matching 40 mm drops. The separate relief cutter presses the whole face into one slab of one colour.

Ten cutters make each 50 to 150 mm raised face: the head, muzzle panel, inner ears, eyes, nose and three-layer mouth. Cut each eye piece twice and flip one so the pair mirrors. These faces make wall art or magnets. The separate 40 mm drop set has eight cutters and a one-piece mouth with its teeth and opening pressed in.
See the 150 mm face, press cutter A into 3 mm clay, peel away the excess and place the thin layers by hand. Bake the assembled clay flat and let it cool.

One cutter cuts the outline and presses the whole face into a single slab of one clay colour. Paint the baked face if you like. Comes in 120 and 150 mm. Both sizes hang as wall art on the printed hanger, and the wall art relief cutters press two dots to drill for a pair of drops.
See the 150 mm relief face, the paint map for use after cooling and the current rear hanger placement.
Your first piece
Print only the files for the piece you are making; the rest are there when you want another size or method.
A single press cuts the outline and presses in the whole face. It is about 46 g of clay, a face you can paint or leave plain and hang as wall art on the printed hanger.
See what you needThe largest face, so the eyes, nose and teeth comb are the easiest to place. It is about 100 g of clay: weigh your piece and use a nail rated for it.
See what you needA small version of the face with the teeth pressed into the mouth, about 5.0 g each with findings. Hang them from the drilled wall art display or wear them.
See what you needWall art display
Cut and stack the 150 mm face, or press it in relief, and it becomes wall art that hangs from its own printed hanger. Make it in any colours, and drill its two marked dots to show a pair of the matching 40 mm drop earrings.

Cut the head first while it is flat, then build the face from the broad panels to the smallest pieces. The one-slab relief is a separate method, not a final layer over the colour build.

Step 01 · size and method choice
Choose the 150 mm stacked face for the wall, a 50 or 70 mm face for a fridge magnet, or the 120 or 150 mm relief. Print only the files for that piece, and check that your clay releases cleanly from one cutter first.
The 150 mm head outline cut into the slab with cutter A. The size table lists every stacked and relief option.Help with this step

Step 02 · head cutter
Cut the orchid pink head first, then tidy the ears and chin before any raised pieces go on. Keep the fitted outlines crisp; cling wrap is for a softer, rounded edge.
The flat head base.
Step 03 · muzzle and ear cutters
Add the broad cream forehead-and-muzzle panel and both acid yellow inner ears before the eye pieces. This keeps the large layers flat and gives the small details a stable surface. If your clay's layers do not bond well, a thin smear of liquid clay under each piece helps. For the 120 or 150 mm wall display, use marked muzzle cutter B. Smooth the dots for wall art only, or drill 2 mm holes through both muzzle and head after baking and full cooling: 54 mm apart at 120 mm, 64 mm apart at 150 mm.
The muzzle panel and both inner ears placed on the head.Help with this step

Step 04 · eye cutters
Cut each eye cutter twice and flip the second clay piece. Each black inner eye sits on a solid acid yellow outer eye, never in an opening. At 70 mm the combined eye cutter is a shortcut: use it for both eyes, not one.
Frame showing the two outer and inner eye stacks mirrored across the face.Help with this step

Step 05 · nose and mouth cutters
Place the nose and the red-pink mouth field on the centreline, clear the teeth comb window, then cap the stack with the acid yellow mouth ring. Remake a drifting small part instead of smearing it into place.
Frame of the completed mouth stack.Help with this step

Step 06 · bake and hang
Build and bake on the same flat, oven-safe tile, following the clay packaging, and let the face cool fully on it. Smooth the two wall art dots before baking, or drill them after baking to hang a pair of 40 mm drops. Glue the printed hanger to its back and let the glue cure fully by its label. Weigh your piece and use a nail rated for it.
The finished 150 mm stacked face from above, before baking flat.Help with this step

Step 07 · relief cutter
For a one-colour or painted face, roll one even slab and press straight down until the outer cutting edge reaches the tile. This is a separate method, not a final layer over the stacked face.
The whole face pressed into one slab with relief cutter R.What you will need
Use the tools you already own. Choose your piece to see what it adds, then check the shared materials below. Some linked hardware packs contain enough for many pieces.
Links marked "Affiliate link" may earn us a commission at no extra cost to you. Check sizes and materials before checkout.
What are you making?
Hang the 120 or 150 mm face from its printed hanger. Drill its two marked dots to hang a pair of the 40 mm drops; the drops have their own supplies.
A nail or screw with a flat head of about 8 mm carries the display through the printed hanger's keyhole. Weigh your piece and use one rated for it; the guide gives the head, shank and gap that fit.
For the no-nail route: it sticks the printed stud to the wall. Thin tape keeps the display hanging flat.
Glues the printed hanger to the back of the baked, cooled face. Keep it out of the slot and let it cure fully.
Hang them from the wall art display or wear them.
Ear hooks, silicone backs and open jump rings in one kit, enough for many pairs.
One ring, 9 mm outside in 0.8 mm wire, joins each drop to its ear wire through the hole below the ears. The guide gives the hole.
Only if the drop hangs sideways: add a small second ring between the first ring and the ear wire to turn it to face forwards. The guide gives its size.
Two pairs open and close jump rings without scratching them. This kit adds a starter set of findings.
Drills one hanging hole in each baked, cooled 40 mm drop. The guide gives the bit size.
Plus glue from the core kit below.
Use one 15 mm disc on a 50 mm face or two on a 70 mm face. Tape them to the baked, cooled back and check that they hold on your fridge before gluing. Never bake a magnet.
Keep loose and finished magnets away from young children and pets; a swallowed magnet can cause serious internal injury, so get medical help straight away. Keep magnets away from pacemakers. Selling magnets? Check the magnet safety rules where you sell.
Wall art at 120 or 150 mm with the wall art supplies. The wall art relief cutter presses two earring-hole dots to smooth or drill.
Colour the pressed face after baking, or leave it one colour.
Most makers already own some of these; the rest is your shopping list.
Five colours for the stacked face (shown: orchid pink, cream, acid yellow, black and red-pink), or one colour for the relief face.
Rolls even slabs between thickness guides.
Set each slab to the height the guide gives, and check it with calipers. Use bought or separately printed thickness guides; these downloads do not include them.
Lifts thin cut shapes off the surface without stretching them.
Build and bake on the same flat tile to reduce handling of the raw layers and keep the back flat.
Checks the real oven temperature against your clay packet.
Smooths the edges and back of the baked piece, from 400 grit up.
Glues magnets to baked, cooled clay. Jump rings through holes do not need glue. Follow the adhesive label and let it fully cure.
Weigh your finished piece so you can choose a nail rated for it.
For dry sanding and drilling baked clay.
For drilling and sanding.
Conditions clay and rolls even slabs far faster than a hand roller. Keep it for clay only.
A thin smear under the large panels helps the layers bond if a baked test shows they peel apart.
Only if you want a sheen. Test it on baked scrap first.
Prints the cutter files. If buying, compare models for your budget and workspace, and ventilate while printing.
The guide gives the nozzle, layer and support settings. Match the filament diameter to your printer.
Make it your own
See how each piece is finished, then shop only what it needs. The guide covers the sizes and attachment steps; clay and hardware are not included.

Make the separate 40 mm drops, drill each marked hole after baking and full cooling, then attach a jump ring and ear wire. Wear the pair or hang it from the drilled wall art face.
See what you need
Glue one magnet to a 50 mm face or two to a 70 mm face for the fridge, then check that it holds on your fridge.
See what you need
Press one slab with the relief cutter for a one-colour face. Leave it plain or paint it after baking. Use the 120 or 150 mm relief face as wall art with its specified hanger, and drill its two dots to hang a pair of drops. These faces are too heavy for jewellery.
See what you needKeep the same cutters and swap the clay colours. Tuxedo uses black, white and grey.
Hang the 120 or 150 mm stacked face from its printed hanger as wall art. Smooth its two dots before baking, or drill them to hang a pair of drops.
See the wall art displayYou may sell the finished polymer clay pieces you make. You may not sell, share or redistribute the digital files or 3D-printed tools. See the included Maker Licence for the full terms.
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